Archive for the 'Sony Alpha 900' category

With all this talk about existing Full-Frame photo cameras (Canon EOS 5D, Nikon D3) and about possibly upcoming new ones (Sony Alpha 900, Canon EOS 5D Mk II or some other similar name, etc.) many photographers happy with their existing digital equipment are wondering: “What’s all the fuss about?”

And it’s a good question to ask, but the answer goes with some of the comments about sensor resolution. About the same people who noticed that resolution is not all that counts (despite what is said or implied by some of the major brands on this market) also understand that going Full Frame is a possibly very important decision for the attentive digital photographer.

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OK! If it was not enough to expect a couple of major announcements from Canon and Sony for the tough market of high-end digital cameras, there is another competitor appearing in the image.

According to Amateur Photographer, Samsung is preparing a Full Frame D-SLR camera to compete with Canon EOS 5D (or future 5D Mk II), with Nikon D3, with future Sony Alpha 900. We know that Samsung has a very good technology (shared with Pentax) and that the high-end market is calling for Full Frame sensors.

Nothing is certain, and we will probably have to wait until 2009, but things are moving fast in Korea too.

Some soul searching and information collecting leads me to say that -contrary to what I could have suggested here before- there is no Sony Alpha 500 in preparation. It seems that this was rather a name imagined for the now-existing Sony Alpha 350.

As surprising as it may be, I needed to inform you about one little bit of rumour that is currently appearing on the Internet: The next ‘flagship‘ digital SLR camera (hig-end camera based on a Full Frame 15- or 20-MP sensor) from Sony could well not be called Alpha 900 as expected by nearly everybody but rather Alpha 500. I don’t really believe it, but you never know…

The other possibility is that the Sony Alpha 500 is another new mid-to-high end camera product that nobody’s seen yet (a successor to the Alpha 700, already?) but it would be the source of some confusing thoughts. To be checked in the future.

Master Chong, in Malaysia, recently published photos of the future Sony Alpha 900, high-end D-SLR not yet officially announced by Sony, but that should be the pro pilar of the Japanese brand with a Full-Frame (24×36mm) sensor of 20 to 24 millions of pixels.

  

There are only images to judge, but it leaves some possibilities for (preliminary) analysis.

The back face of the camera shows an interface impressively similar to the usual one found previously on the Konica-Minolta Maxxum/Dynax 7D and the Sony Alpha 700. Position and meaning of the buttons seems to be nearly identical. I would just point at the will to mark the presence of the HDMI interface by engraving on the connector caps (on the left-hand side as on the A-700). But this is no news.

Notice the complementary/optional grip that really includes a full set of commands to ease moving to vertical position of the camera. Those adepts of optional battery grips will definitely appreciate.

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Out of Canon, nobody seems to really have a clue about what will be the successor to the Canon EOS 5D. Most people assume that it will be named either Canon EOS 5D Mk II (the most probable possibility according to several sources), Canon EOS 6D or even Canon EOS 7D. However, this does not stop experts and not-so-experts to make various assumptions about what specification it will have.

Taking into account the existence of the Nikon D3 and its impressive set of features, Canon sure has to prepare a top-of-the-line DSLR with a superb Full-Frame sensor, with outstanding image quality. Of course, this is a normal (but difficult) target for the leader and the company that drove us into the Full-Frame world. There, we found: large pixel counts, exceptionally low noise levels, very high sensitivity and a normal 1-to-1 conversion factor for lenses. This last item may not always be a positive (for example, long tele-lens lovers appreciate that a smaller APS-C sensor transforms your common 300mm lens into a loveable 450mm optical gun), but the rest is a boon for photo quality. And there, as the Canon EOS 5D then the Nikon D3 proved, there is a giant step to be taken from more common DSLR.

So, it should be no surprise that photo-related forums are dripping with more or less reliable comments about what the Canon EOS 5D Mk II will be. Possibly, we will see specifications around the following:

• 15 to 16 MP sensor (good but not oustanding, in order to hit hard on image quality; Enough to top the 12MP of Nikon D3) with 14-bit A/D conversion (the de facto standard of Canon image quality)
• ISO 12800 (boost up to ISO 25600) that should give Nikon a run for their money
• All-new 29-point TTL CMOS AF sensor (needed to compete with the impressive 51-point AF sensor of Nikon)
• 6 fps continuous shooting (for more than 50 frames)
• Lens fine adjustment setups for 14 lenses

The rest should be more predictable and does not request a crystal ball (sensor dust cleaning, improved 1MP 3″ LCD screen, LiveView inspired by cheaper DSLR models, weather sealing that was lacking from the EOS 5D). But there are two important elements left out of this picture:

• The price target would be around $3500 (to be compared to the $5500 of the Nikon D3), definitely strong positive argument for Canon even if this is still targetting pros and rich amateurs;
• The announcement would be made in April 2008 (may be, not as a Fool’s Day joke) for availability before mid-June.

These last key arguments could prove critical to offer a very good position to Canon. They had the first Full-Frame DLSR camera (the EOS 5D). Now, Nikon is trying to grab the market with the Nikon D3 since last November. Canon has to hit hard in order to keep the upper hand and they cannot wait for some pro photographers to switch (even if this category of customers cannot jump out of the train each and every year like some enthusiast consumers). Moreover, we know that Sony will be soon arriving with a new Full-Frame DSLR based on a 24MP sensor presented a few months ago (rumoured to be named Sony Alpha 900).

It’s time for Canon to shoot a star. The Canon EOS 5D history needs a sequel to become a real Full-Frame saga. The Canon EOS 5D Mk II could be this long-awaited beacon for the highest end of the Canon DSLR line.

Sources: slo-foto forums, DPreview forums.

In today’s press conference in Las Vegas, Sony confirmed nearly everything we were saying here yesterday: The Flagship model will be coming in 2008. It will have a Full Frame sensor of 24.6MP (I was off by 0.2MP only). It will be stabilized by Super Steady Shot (the in-body Sony image stabilization). But once again, we did not get the official name. I’ll keep thinking that it will be Sony Alpha 900.

Ok! Sony did not disclose this in so many words yet, but it’s become quite clear. Let’s review the facts and the rumours:

• Fact: Last year, Sony showed a mockup of a future Digital SLR camera tagged as “flagship”. Rumour: The enormous size of the pentaprism of the viewfinder shown lets people wonder whether Sony will make it a camera with a big Full Frame (after Canon and then Nikon).
• Rumour: The high-end “flagship” camera should be named Sony Alpha 900 to keep the naming conventions of the pro-line of late Minolta brand.
• Fact: Sony announces today that they have developped a Full-Frame sensor of 24.81MP resolution with a set of very good features for superlative image quality. The chip will be shipping in industrial quantities before the end of 2008.

The logical conclusion: Sony will use this new sensor in its flagship camera. It will be named Alpha 900. It will have 24,9 mega-pixel resolution, continuous shooting at 6 or 6.3 frames per second, 12 bit pixel management, optional capture of a window leading to lower resolution upon request (maybe with even faster continuous shooting). The Sony Alpha 900 will be available in 2008 (using the full production of the sensor).

The only thing that seems less certain seems to be the name, because this one relies only on hearsay.

Sources for the sensor specification: PhotographyBlog, DPreview.

PhotographyBlog is wondering whether Sony’s promise to add some more new product in PMA next week will bring us a new D-SLR (either the entry-level Alpha 300 or the flasgship high-end Alpha 900).

We’ll see.

A photo has popped up on the Internet forums allegedly showing the Alpha 900 in Berlin IFA. If it’s a fake, it’s a rather good one.

From the look of it, I would draw a few conclusions and comments (only valid if the image is a real scoop).

• Sony has cleaned up the original design a little from what was shown last March. Specially the pentaprism, while still large, looks less rough and unfinished.
• No weather-sealing visible between the body and the lens, but there could be some level of weather protection for the body buttons and such.
• Upper LCD screen, probably in addition to the one on the back of the body. This was a feature disappearing from most cameras (think high-end customers, pro photographers in sight).
• Most of the interface elements have already shown on the Sony Alpha 700 (incl. the battery grip)

Anyway, it’s probably a fake model (look at the chamber closed by a black plastic, and the alignment of the top LCD with the rest of the body looks a bit low). But it could well be a reasonably good demonstration of the current state of the external design in the Sony labs.

We all want to see the newest pro camera from Sony (allegedly Sony Alpha 900, previously presented by Sony as the flagship model). But the problem is that we only have rumours to look at. But here is a short summary of a few of the things I could collect here and there.

• Sensor is nearly certain to be full-frame, but size could something in between 14MP and 21.42MP (possibly 16-18MP)
• Sony anti-shake
• 3″ LCD (it’s now standard)
• Full weather-sealing (isn’t it just whishful thinking/dreaming?)

It’s even visible as product page on the kamera-express.nl web site. But it looks a bit too early to believe them (they don’t even try to give a sensor resolution or a price). Probably, just a way to collect Google attention.

This is the very good question asked by Bob Atkins on his web site. Admittedly, the EOS 6D or the EOS 5D Mk II (nobody knows for sure the future real name of the successor to the Canon EOS 5D Full Frame sensor digital camera). But Bob makes good assumptions about what is possible.

Essentially, the choice is either before the Las Vegas PMA (in February 2008) or before the Köln Photokina fair (in September 2008). I admit I don’t have more information than that, but January and August appear to be the reasonnable dates for launching such a new product. However, I tend to believe that Canon would probably be tempted by two possible strategies:

1. Pushing a second-generation FF camera as soon as possible as a pre-emptive strike against the other Full-Frame cameras to appear on the market (I tend to consider the Nikon D3 as priced too high to be really in competition with the Canon EOS 5D or the future 6D or 5D Mark II). If Canon has a really threatening product, they should not wait any longer than strictly necessary.
2. But this may also mean exposing themselves a little too early to the competition which only has the EOS 5D to compare itself. Why shouldn’t Canon wait a little more to be sure that they understand where Sony (with the Sony Alpha 900), Nikon (with some yet to be shown camera) and others will try to position themselves? This would allow them to apply some less subtle marketing techniques at launch time, like hitting the market just after a previous offer to push it into the dark.

Whatever happens is still left undecided (that’s the beauty of predicting the future), but I’d really bet that 2008 will be considered the year of the Full Frame Digital SLR.

A rather interesting post on the Dyxum forums tells us more about the future of the digital single lens reflex cameras at Sony (provided that we believe what is still only a talk between Internet users who say they know). The first item is about the name of the future cameras: There’s no more Alpha 200 but Alpha 300 (this year) and Alpha 500 (next year). I may have to rename the category where I post thos messages

Let’s look deeper: the most advanced model (Alpha 500, as we should understand) will be the first Full-Frame in the product line (with a sensor of the same size as the old 24×36/35mm film image). So, it would not be usable with lenses specially optimized for the small APS-C sesors. This is quite well in line with the observation already done that Sony developped no lens of this type and stayed ready to switch to Full-Frame cameras. It would give them a very significant advantage if you compare with Nikon and Canon, in a competitive environment where the small compact cameras are starting to put some pressure on the lower end of the D-SLR market.

So, the Alpha 500 would have a FF 20MP sensor and through the use of an intelligent organization of the sensitive zones of the sensor, Sony would claim to be providing a stunning 40MP. Striking!

But this is only about a 2008 camera that is still far from being ready. For 2007, the Alpha 300 (or can I still call it Alpha 200?) would bring no less than 14-15 mega-pixels with a crop factor fo 1.25 that would near the FF target. Think about it: As the Alpha 100 shocked the public with the first ultra-low-cost 10MP when only Nikon could fight on the field of image size (with a Sony sensor, by the way), the Alpha 200/300 could be able to shake down the best oppponents, even without the marketoid-like doubling of resolution through the sensitive site organization of the sensor.

But to stay compatible with the already existing market of compatible low-cost lenses, the Alpha 200-300 would include a menu option allowing the user to switch to a lower resolution (11MP?) and giving compatibility to the cheapest lenses.

Most of the rest of the post is rants and raves about the Sony marketing babble: “We are the world leader in photo sensors; We succeeded in prying 6% market share out of Canon and Nikon hands in a year only, we are ready to overtake anon and leave them the 3rd rank“. All is quite in line with the information recently appeared in the news: Canon has recently left the pole position to Nikon on the Japanese market (many analysts believe that the Japanese are showing the way for the rest of the world with a year of advance).

Such cameras would be able to transform the dreamof Sony into a hard reality and move the market around. Howevern we still do not have a precise launch date for such an Alpha 200 or 300. and even less about the Alpha 500…

We are still waiting for the newest announcements from Sony photo departement. However, PhotoClubAlpha.com got an official image of the 2007-8 line up. We see everything that has been shown in the beginning of the year, but in a much cleared view.

Click to enlarge

For people interested in the longer focals, the most attracting part of the image is on the right. We see a black tele-zoom that points at the long awaited 100-400mm (possibly a f/5.6 to keep the AF coupling with Konica-Minolta and Sony bodies). I hope I read it well and I can’t wait to have this for wildlife photo. Then, there is a prime which looks a lot like a 300mm f/4 that is not the Minolta APO G design. It will have to compare favorably with the second-hand marvels that are still moving around eBay (my own Minolta APO G 300mm/4 is a blue diamond). The last one on the right is certainly a 600mm at f/4. Prepare your significant other now to avoid a heart attack when you will sign the check for this. Prepare your physician for the back aches after lugging this around.

On the left, it’s much more difficult to get certainties. There are three zooms and two primes. Two of the zooms and one of the primes have quite large front lenses pointing to very large apertures (more probable than only wide angles).

The pro camera (on the right) is probably no longer the wooden mock-up of PMA, but they keep the odd-looking penta-prism. I wouldn’t comment long, but many people said that this was the clue to a Full-Frame sensor. The counter-argument is still that the Canon 5D did not need to have such a beast of a prism to do full frame. However, many observers still think it would be the right time to introduce a full frame in the Sony line.

Update: Don’t ask about the availability dates. This is very hush-hush at Sony. There is a persistent rumour that the left side camera will be available in June, but it seems quite surprising knwowing that we are already mid-May. Maybe an announcement in June 2007. For the lenses, nobody seems ready to give precise dates; So, it’s still “2007-8″.

Sony just announced the new Digital SLR bodies for the high-end of a line started last year with the Alpha 100. No names yet, very few features described, but already some elements to keep in mind.

Availability: Some time this year for one of the cameras (you can’t get more fuzzy than that!)

Both cameras will have Super Steady Shot (Sony’s technology to stabilize image by moving the sensor inside the body). Both will be extended with an external/additional grip.

One of the products (for high amateurs) should be described as:

• Higher end/higher performance than the Alpha 100 (many people wanted a Dynax 7D replacement)
• New sensor (it is not said if it will be more than 10MP or larger than APS-C)
• higher-rez BIONZ image processor (suggest more than 10MP resolution)

The other one (the flagship model) looks quite ugly in its PMA display. I wonder where they found the idea of moving back in time to this design. It seems that they wanted to make it look definitely serious. But the body displayed here could well be inert rather than a full working prototype (my feeling only). I’d bet that this one will not ship in 2007.

Complement: Sony will launch some more lenses as 24-70mm f/2.8, 70-300mm f/4.5-5.6, DT28-250mm f/3.5-6.3 (nice zoom ratios).

Source: Gizmodo, The Photo Station and Photim forums.