Archive for the 'Photo' category

I published a few shots of lions. Portraits taken in the Masai Mara park (Kenya). My prefered is the following one:

Lionness - Copyright 2008, Yves Roumazeilles

If you click on the thumbnail image, you will enlarge it. And you may notice that the photographer (and its car) are appearing in the eye of the lion.

But there are several other images taken nearly at the same time on the original Big Cats web site. Yes! This is another of my web sites. Actually, YLoveBigCats.com is a separate location to publish information specifically about the big felines of the world (and some of the my photos of them).

You should think that most cattle birds never heard about this injunction. They use African Buffalos as landing strips and these big cows as as source of food while they remove the parasites from their skin.

African Buffalos (nearly) without birds

African Buffalo - Copyright 2008 Y.Roumazeilles

African Buffalo - Copyright 2008 Y.Roumazeilles

Buffalos and birds

Here, we see a fast airplane in final approach, or is it in attack phase?

African Buffal and birds: Tora! Tora! Tora! - Copyright 2008 Y.Roumazeilles

Finally, here the one I prefer (”the airport is not happy“) :

African Buffalo and birds - Copyright 2008 Y.Roumazeilles

African Buffalo (Syncerus caffer, Buffle d’Afrique, Búfalo negro). Kenya, Masai Mara, September 2008.

Splendid representant of the guineafowl bird family, Numididae, a brightly colored bird with a bare head, can be found all around the Masai Mara National Park. Unfortunately, it is always running out of the path of the photographer.

Helmeted Guineafowl (Copyright 2008 Yves Roumazeilles)

Helmeted Guineafowl (Numida meleagris, Pintade de Numidie). Kenya, September 2008.

Photoshop CS4

Newsrooms are full of weird coincidences. For example, we just learned that  two products often presented as direct competition were launched this Fall. To my right, here is Adobe with its boxing champion, Photoshop, loaded up to version CS4. To my left, Linux and its community of free developpers pushing the challenger on the ring, version 2.6 of The Gimp.

I am still convinced that this is not an even fight (and Photoshop is favored by bookmakers, for those still doubting it) but both announces are interesting and should be reviewed shortly.

Photoshop CS4 is a new step forward based on the award-winning user interface that made it a best seller and on top-level performance. To this market reference product, Adobe adds the following image-edition-oriented features:

• Accelerated computation using the modern graphic cards coprocessor and the Windows 64 features (when available, of course), and many tools needed to support a 3rd dimension in graphics design (painting on top of 3Dmodels, 3D compositing, etc.)
• Several new tools
• Adobe Camera Raw v5 is improved again to include complementary tools applicabel to RAW photo files (local editing, gradual correction filters, etc.)
• Bridge CS4 is notably accelerated

The Gimp 2.6

On the other side, The Gimp is now available as version 2.6. Here again, improvements are notable, even if a little smaller:

• A number of improvements to the user interface (but I still thing that this is the weak point of this software program; Recommendation: Look into GimpShop which is a hack to The Gimp in order to make it appear similar to Photoshop)
• Improvements to the selection tool
• Improvements to the drawing brush
• 32-bit GEGL data management (perfectly adapted to keep maximum quality in 12- and 14-bit RAW files)

All this will probably start again comment wars supporting one or the other solution. But remember that The Gimp is simply free. On the contrary, Photoshop CS4 (even if getting the upgrade license and despite the many available options) will still be very expensive (Master Collection at $2,499).

Here is an interesting case (I think) of how I work on the photos I shot. Usually, I think of it as development of the digital image. Like for its argentic/analog counter-part, I have to work a little on the image to make it printable, but I also have to prepare a correct framing of the image and possibly more.

This is the photo of an elephant on the Musiara plains of the Masai Mara National Park in Kenya. Initially, I shot the horizontal photo below, in order to get a fairly good portrait of an elephant within a tight frame:

Elephant, portrait (Copyright 2008 Yves Roumazeilles)

It is a fairly correct image: A touch of colour in the background, enough information in both highlights and shadows, good focus plane, nice structure on the skin of the elephant, both eyes are visible and both tusks are inside the frame.

But after preparing/developping the trivial image (just minor levels correction, minimal unsharp mask), I thougt that it could be possible to try something else by re-framing the image:

Elephant, portrait (Copyright 2008 Yves Roumazeilles)

But while I was at it (and because of the nice work of light on the mud-covered skin of the animal), I also decided to try a black and white presentation (with desaturation by Photoshop and a little coloring of the image):

Elephant, portrait (Copyright 2008 Yves Roumazeilles)

What do you think about it? Which one is the best image?

Random encounter, a baby elephant, probably only two- or three-week old.

Bébé éléphant (Copyright 2008 Yves Roumazeilles)

This is merely the beginning of the publication of photos I shot in the Masai Mara National Reserve (Kenya) during a photo safari leaded by Alain Pons, French wildlife photographer. You can expect a long string of images since I found quite a number of nice occasions to snap a few animal shots.

After about 10 days out of France, I am back from the Masai Mara National Reserve (in Kenya). I brought back about 30 GB of wildlife photos (around 1700-1800 images) to be sorted out in the coming days. You can expect series of published images here on a regular basis.

I created on RedBubble a calendar (for 2009) that I think should be interesting for people in love with all kinds of artistic alterations.

Images taken from the Paris metropolitan railway (le Métro) in a station under heavy repair. It brought images from the past (probably 20 years ago or more) through the remains of previous decors and acts of cultural vandalism that easily make me think of the slogans of the “Mai 68″ near-revolution in the streets of Paris.

Even shooting the photos seemed out-this-world: Silently and slowly walking the station with another photographer (we did not even exchange a word), while the people around us were waiting for their train trying not to notice the flash lights. It could not have been a more troubling experience, going from an unstuck paper to a poor paint job or a hasty writing between dirty white tiles.

John Ross web site.

Autumn in the Utah, Zion National Park: A great location for photo and landscape photo lessons from Brett Higgins.

OK! I don’t really know what it will be but one of the web sites I regularly check (Photoshop Insider) announced a bizarre event: WorldWide PhotoWalk. The idea is just to have photographers going to a place to walk together in a town they know in order to shoot a few pictures and… share.

This afternoon, I decided to go to the Photowalk in Paris tomorrow morning (if I wake up early enough to be there by 10am).

I known this is a last-minute decision, but if you’re in Paris, why not join? It’s free.